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Simply put.. a " driving " walk , is "body " driven by placing the feet ( foot ) under the body fairly quickly
A " stepping walk ", is when the feet( foot ) is moved fwd and or back with a reaching motion and the body is delayed .
By the way.. do NOT try to make comparisons with any other form of tango.
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| I wanted to know what you think about a ladies ocho in dancing the tango. Is there a differnce or reason for lifting the leg higher, or keeping the landing tight at the ankles, or keeping the leg together and sweeping the floor with the toes to form There is definitely a reason! What you are addressing are forms of style or adornment, and these are options that may be taken by the follow, or may at times be led. An ocho is, for lack of a better way of describing it, a swivel. (If we want to be VERY technical here, that is loving called a "quatro," as it does take two to form that little 8 pattern on the floor, though one "quatro" does not mean another "quatro" must follow.) To execute a basic proper Argentine tango ocho you bring your ankles together (with weight still on the supporting foot) and rotate. The lady has options of embellishment for her free leg. She may flick, she may point, etc. In crowded social situations, the lady may opt to make a small beat at her ankle, or may opt for no embellishment at all. (Larger flicks, or boleos, may injure others if dancing on a crowded floor.) To make a large fan, typically, the man leads this by lowering the lady. Her knees are now soft and she has the ability, or the room, to extend her free leg to create fan. If the lady is kept "up" by the man she will typically not make a large fan, but opt for a simple ocho or other embellishment, and these other embellishments do include the option of trailing the foot behind in a fan-like fashion. You may have noticed in your American that it is at times difficult to create fan, and this would be because the lead is keeping you "up." I hope this helps. |
| Is it not true, that... the larger problem with T/A is its diversity of opinion ?.Looking for an opinion from others in the genre .( am curious, as a teacher )
salsa has the same problems .
The old "chestnut" to formalise or not, may each have their respective advantages. I do concede, however , that the free flow of ideas should always be welcome .
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| Thanks for your input, That all makes since. I never knew why on the Amer. Tango fan, but that makes since. The piece we were practicing is for a performance, so I am not really worried about "Close Quarters". Sometimes we get so squished on the floor, I could very easily turn the ocho into a "Oucho". My main concern was the appearance, and of course technique. Thanks!ScottyBoysDoll |
| Terence I think you are correct. That is a huge problem, and probably always will be. Across the tango styles there are basic elements of movement, and an understood standard of correctness of movement. (Incidentally, this is how I was taught Salsa as well.) This is why my philosophy has been to focus on the very basic elements and build from there.
I can use the OPs question as an example. In this case, OP was asking two questions without knowing it. Question 1: "How do I properly execute an ocho?" and Question 2: "How do I properly embellish an ocho?" I dont want to "bash" OPs instructor, but it would appear that OPs instructor could not make the distinction between an element of movement and an embellishment of that movement. But, to take OPs question further, regardless of style, proper ocho execution would be to pull from the inner thighs, dance on inside edges of feet, maintain weight on supporting foot while rotating... When we come to matters of embellishment, or even discuss the degree of rotation, we begin to get into areas of differences that define style. Unfortunately, this is where you start finding instructors who will tell you X is correct and Y is wrong, when they are addressing issues of style, and not basic movement. Why this is done I do not really know. It could be argued they simply do not know the difference, or perhaps they are trying to market their own special style of tango... The student suffers either way. |
| I wanted to know what you think about a ladies ocho in dancing the tango. Is there a differnce or reason for lifting the leg higher, or keeping the landing tight at the ankles, or keeping the leg together and sweeping the floor with the toes to form the 8 pattern on the floor. I kind of have crazy legs, and my teacher says she just likes sweeping the floor w/ her toe. I do understand this maybe a prefernce thing, what do must do? Thanks ScottyBoysDoll Postscript: Sorry, I can visualize, but it is hard to relay what I am thinking! |
| I've been told to keep my ankles together, and not "twist up my legs" because I "have a retarded left foot" *snicker*.
It's not "just" the ankles or feet or even up to the knees- it's the whole of the body. I think of it as "closing" each time I swivel, that way my whole body's aligned and my lead-arse doesn't sag behind. Well, it still does, but at least I can think about it *while* I'm getting bellowed at. |
| Oh, by the way my shoes should be here today! I am so excited! Yeah, I can see where thinking "closing" each time helps. I mainly just do not want to look like a dog lefting my leg on a fire hydrant!! Thanks! For your time, ScottyBoysDoll |
| You got new shoesies too? I went and lucked up and found a pair I'd been looking at to practice in on ebay. Paid three bucks for them, instead of the forty I was going to from Dds.c
Of course, I've been on the BIGtime jewelry binge lately, too. Oy. |
| The " beauty " of T/A, is it has virtually no boundaries . There is very little right or wrong, but much more about preference . |
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