It looks as if in competitive Standard the latest trend is covering a lot of territory fast. Is my observation correct?
It's not really meant to be a race to see who gets around the floor the fastest. So in terms of composition, Quickstep routines are basically balanced on the whole, as they should be. Yes, they will contain groups that race across the floor at top speed, but they will also pause for highlights, as well as dancing groups that aren't meant to cover space as quickly, showcasing different qualities of the Quickstep -- swinging, turning, shaping, hopping and jumping around, etc.
Interestingly, the groups that do move across the floor at top speed are not typically the ones that employ the larger steps. The greatest body speed through space is achieved through a number of small-to-medium steps taken in much quicker succession -- say, for example, 5 steps in the same space of time that you might normally take just two or three steps at the bronze level. The difference here is that the dancers are taking control of the third element in the 3-way relationship -- time between steps. They do this not by changing the tempo, of course, but by using step timings that allow for more steps, such as Q&QQQ. With that many steps squeezed into a measure of music, there is a limit to how big each of those steps can be. But the overall distance covered in that time will be greater than what they would have covered with fewer, larger steps.
So in other words, when you get to pick your own timings through choreography, you can move faster simply by dancing faster rhythms, in spite of the fact that each individual step might have to be slightly smaller. But when the timing is fixed and steps are slightly slower (SQQ, etc), bigger means faster through space. Even top-level Quickstep still has its fair share of basic, swinging actions -- open naturals, running finishes, quick open reverses, etc. And during those more moderate rhythms where you have a deeper, Waltzier swing, the steps will be larger to maximize the distance, and therefore the body speed through space.
But whereas top competitive pros will tend to strive for maximum output to get an edge over their competition, I wouldn't recommend this be the goal of the average syllabus dancer, or even the novice competitive dancer, for that matter. The pursuit of distance can easily break the form, and any perceived benefits will be outweighed by the liability of compromised posture, effortful movement and/or awkward delivery from foot to foot. This is, of course, a very individual choice, best made not on one's own, but by an experienced coach who has a good awareness of his students' skills.
Nonetheless, having an understanding of the relationship between body speed through space, time between steps and space between steps is a useful tool to help you see the big picture and make better informed decisions when it comes to staying on time with the music.
Regards,
Jonathan