Log In

Username:

Password:

   Stay logged in?

Forgot Password?

User Status

 

Attention

 

Recover Password

Username or Email:

Loading...
Change Image
Enter the code in the photo at left:

Before We Continue...

Are you absolutely sure you want
to delete this message?

Premium Membership

Upgrade to
Premium Membership!

Renew Your
Premium Membership

$99
PER YEAR
$79
PER YEAR
$79
PER YEAR

Premium Membership includes the following benefits:

Don't let your Premium Membership expire, or you'll miss out on:

  • Exclusive access to over 1,620 video demonstrations of patterns in the full bronze, silver and gold levels.
  • Access to all previous variations of the week, including full video instruction of man's and lady's parts.
  • Over twice as many videos as basic membership.
  • A completely ad-free experience!

 

Sponsored Ad
Counting the beat from start
Posted by hytran
5/13/2005  2:14:00 PM
Hi,

- Can anybody show me the method to count beat for all the dances ?

- For the dance like Tango (1,2,3,4 and 5,6,7,8 beat counts) : How to recognize which part of music belong to 1-2-3-4 or 5-6-7-8)

Thanks
Re: Counting the beat from start
Posted by Don
5/14/2005  4:53:00 AM
Hytran. Why did you pick a difficult one like Tango for an explanation. Some Tangos are being recorded at 2/4 and some at 4/4 bars per minute. Why is this. It is because music is not only recorded for dancers. The producers have to please ,and hope to sell to a none dancing section of the public as well as the dancers. A 2/4 tempo is not as popular as a 4/4. A 4/4 can have a vocalist,2/4 is much harder to sing too.
According to the rule book 2/4 is the one laid down for the Tango but very often a 4/4 slips through. Either way you should be able to pick the one two one two beat of the 2/4. If you feel that the music is saying 1234 you will find that the first beat is heavy the second lighter.The third not as heavy as one, but heavier than two, fourth beat light. Now for the difficult part.If you do to 4/4 timing two walks, a Progressive side step. a walk into a Link, you are now out of rhhythm. The same steps in a 2/4 you are not out of rhythm The way to coupe with this is to ignore the 2/4 and count everything in fours with your choreography adjusted.We would not want to do the first step of a reverse turn on 34. A simpler way of explaining this to the uninformed is with a 4/4 beat do a Four Step starting on beat one. 1234. then a Closed Promenade. You are now out of phrase. So your choreography needs to be adjusted. Believe me , you never know which of the two tempos you are likely to strike. I sometimes wonder whether some of the judges know any of the above. Foxtrot is another tale.
Re: Counting the beat from start
Posted by hytran
5/14/2005  9:29:00 AM
Hi,

Thank you.

- It's good to have your insight into Tango counting beat.

- Can you continue with Foxtrot and then with Rumba, Chachacha, Salsa (Mambo), Single-step swing, Triple-step swing, Tap Hustle, Samba ?

- I usually hear people counting 5-6-7-8 before starting the first step.

Thanks,
Re: Counting the beat from start
Posted by Don
5/15/2005  2:48:00 AM
Hytran.. Better to take one at time.
Those who count 5678 have already picked the beat of 1234 and just continue 5678. The preperation step is on 7 8. Some use the 8th beat for the preperation step, they like the faster entry. The best way to understand is to play a Foxtrot at home, and after the 4 bar intro start counting in eights. You will be able to pick the end of one phrase and the beginning of the next phrase, which of course is 1. Count this way ,it isn't hard to do. 1234. 2234. 3234 4234 and so on to eight, then start again. As as in the Tango, it is posible in the Foxtrot to be in time, but out of rhythm. That is 3412 instead of 1234. Years ago they were not as fussy as today otherwise they would never have written a book which gives the timing for a Change of Direction as slow slow slow as well has a Drag Hesitation as in a Natural turn. Both would have you stepping off on the wrong beat of 12 with the first of the Feather Step on 34. To go to Samba. Pick up the intro and then count 1a2 2a2
3a2 4a2 all the way to eight. Usually if you do four bars of BotoFogos starting on your left foot and two bars each side of Voltas you would at the end not feel right if your phrasing is out. Good luck with this.
Re: Counting the beat from start
Posted by Don
5/14/2005  9:33:00 AM
Sorry , a mistake in the second line 4/4 beats per minute should read 4/4 beats per bar. For those who are not sure about the music a Waltz is 3/4 which is 3 beats per bar of music. Most dance music is in what is known as Eight bar phrasing and should be easy to pick up on the first bar of a new phrase. Latin is the same and in the Samba is very important.
Re: Counting the beat from start
Posted by Iluv2Dance
5/15/2005  4:24:00 AM

***Years ago they were not as fussy as today otherwise they would never have written a book which gives the timing for a Change of Direction as slow slow slow as well has a Drag Hesitation as in a Natural turn. Both would have you stepping off on the wrong beat of 12 with the first of the Feather Step on 34.***
--------------------------------------
Hi All,
The 4/4 time of the Slow Foxtrot has an accent on beats one and three (although the first beat is stronger). So, what is wrong with starting the first step of a figure on beat three? The English style of ballroom dancing is not Modern Sequence nor New Vogue, which, I believe, is danced in 16 or 32 bar phrases. I believe you where referring to a Heel Pull when you wrote ‘Drag Hesitation'.

+ View More Messages

Copyright  ©  1997-2026 BallroomDancers.com