Log In

Username:

Password:

   Stay logged in?

Forgot Password?

User Status

 

Attention

 

Recover Password

Username or Email:

Loading...
Change Image
Enter the code in the photo at left:

Before We Continue...

Are you absolutely sure you want
to delete this message?

Premium Membership

Upgrade to
Premium Membership!

Renew Your
Premium Membership

$99
PER YEAR
$79
PER YEAR
$79
PER YEAR

Premium Membership includes the following benefits:

Don't let your Premium Membership expire, or you'll miss out on:

  • Exclusive access to over 1,620 video demonstrations of patterns in the full bronze, silver and gold levels.
  • Access to all previous variations of the week, including full video instruction of man's and lady's parts.
  • Over twice as many videos as basic membership.
  • A completely ad-free experience!

 

Sponsored Ad
"Phrasing"
Posted by Michael
7/20/2007  7:55:00 AM
What is "phrasing" (not sure if this is the right word)in International ballroom dancing. It has something to do with music (I think), particularly in rumba.
Re: "Phrasing"
Posted by Serendipidy
7/20/2007  7:41:00 PM
Michael. All ballroom and latin dances should be phrased. You can easily pick up the four bars introduction at the beginning of a disk. From then on the phrasing is over eight bars. Normaly there are 64 bars of music on a disk. Which are 8 blocks of 8. Think of a book. Each page is one bar . In one chapter there are eight pages. in the whole book there are eight chapters.8 x 8 = 64.It seems that with the way music is counted in the US it is the reason so many people there can't understand phrasing. In the US only, to my knowledge, BPM. Bars Per Minute/ Becomes BPM Beats per Minute.
I can easily count if I had to 64 Bars of Music.I would be hard pressed counting 64 x 4 = 256 beats. Fire away.
You will not find a disk from Europe that has not written on it Bars Per Minute
Re: "Phrasing"
Posted by terence2
7/21/2007  12:14:00 AM
Youre on MY bandwagon now !

have been fighting this " battle ", for eons.

The "eight " count system in play, I believe stems from the stage choreographers, who count down the end of a chorus--- as in ---- 5,6,7,8. Subsequently ( the Salsa world in particular ) are firmly ensconced in that method .

My q to them is this-- if you were plotting a routine--how would you identify the bar within the sequence, that needed attention ?.

But my favorite, is the " count " 1,2,3,-- 5,6,7,-- I usually ask-- what happened to 4 and 8 ?

+ View More Messages

Copyright  ©  1997-2026 BallroomDancers.com