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Re: Drag Hesitation
Posted by interested
8/19/2008  1:58:00 PM
Is it fair to say that most of the rise e/o 2 should come through the knees and therefore 2 should be taken on a slightly more flexed knee compared to a reverse turn.
Re: Drag Hesitation
Posted by Polished
8/20/2008  4:26:00 PM
Interested. If the Basic rise and fall was used the lady would think it is going to be a Reverse Turn. In the technique book the alignment is when it follows a Double Reverse Spin. On the D.H. rise at the end of step two. there is no sway or swing. Who among us doesn't believe that we turn at the end of step two and not into it
It is clearly stated that the second step of the Drag Hesitation should be wide and on the ball of the foot.
The answer to your question is if the rise was as is in a Basic the wrong signal would be sent to the lady.
Would you believe 41 messages to tell what can be told in 19 words.
P.S. On one of your earlier posting you wrote If I don't lower at the end of the DRS. That question doesn't come into the discussion . You must lower at the end of the DRS regardless of what might follow with one exception which is an Overspin. Cheers
Re: Drag Hesitation
Posted by interested
8/20/2008  5:33:00 PM
Polished. you are probably right. it may well be that the technique was designed for lead-follow purposes. on the other hand it might be that this is just incidental, albeit fortunate.

i guess that the technique represents the favoured trends of the time. people favoured this for good reason (consciously or unconsciously) - and there is almost certainly more than one reason.

which of the various factors (assuming these were analysed ??) was uppermost in the minds of those responsible for the standardisation, i do not know - this information seems to me (although I might be mistaken) to have been largely lost in the passage of time - such that all we can now do is to consider things de novo.

Who among us doesn't believe that we turn at the end of step two and not into it


well good question - i've heard it said on here - at least with regards reverse turns - that turn occurs after or just as placement of step two occurs. BUT if CBM is generated (ie torque is applied) on 1 and the L heel is released before the end of 1 how can turn NOT occur before the RF reaches its destination on 2 ? this also impinges on how much of a sideways swing from the hip is required to end in a " to side" position". I've heard it said that swing through such a side step only occurs in a forwards direction relative to the line of the hips. But that can only be true if the turn IS delayed until after placement of step 2.



Re: Drag Hesitation
Posted by Polished
8/20/2008  5:49:00 PM
Interested. When you wrote the heel is released before the end of 1. Are you looking at it from the ladies steps or the man's. There are two different techniques used at exactly the same time on the same step.
The lady does not swing on step from 1 to 2 on a Reverse Turn. The man does. No two people Swing at the same time. One Swings the other follows up after their partner has passed.
If this is not done correctly the lady will take the mans centre away from him and arrive and be several inches out.
A sure test is do the Reverse or Natural Turn and on three if you are not in exactly the same position as you were when you started something is very wrong.
Re: Drag Hesitation
Posted by interested
8/20/2008  6:17:00 PM
i meant for the man. ie since it is a HT step then the heel will release before the passing of the feet cf a normal fwd walk (ie H) without rise where it will occur as they pass.
Re: Drag Hesitation
Posted by Polished
8/20/2008  6:29:00 PM
Intersted. When trying to figure out where the rise on any step occurs simply apply the technique from the technique book which is Commence to rise at the end of one. If this were a Foxtrot rise at the end of step one.
The technique does not alter throughout the dances unless it specificall says so.
Re: Drag Hesitation
Posted by interested
8/20/2008  7:30:00 PM
Yes but "rise e/o 1" does not mean "rise as the feet pass", nor does it mean "rise at the end of step 1". it means rise during the last part of step 1 ie at some point between placement and passing. it doesn't specify exactly where within those parameters it will occur (but you know it will not occur immediately after placement because the weight needs to move through the foot, and it cannot be delayed until the feet actually pass because the heel will naturally release at that point anyway, even without rise). So reading between the lines the rise must start at the beginning of the last quarter of the step {cf a normal fwd walk where heel release will occur at the very end of the step).The rise is completed by the placement of 2 (and probably by the passing of feet at the end of step 1 ???) otherwise the technique would say start to rise e/0 1 and continue to rise on 2 etc. That is my interpretation anyway.

anyway - i disagree with you - in the sense i think the technique does alter throughout the dances - and, in ways, that are not stated particularly clearly and the definition of e/o re rise anf fall certainly needs to be clarified in my opinion.

And there are other more general issues of this type too. I often hear it said that the technique specifies the status at the end of a step. Then I hear people saying the end of a step is defined as when the feet pass (or close). But some colums of the technique like alignment and position clearly refer to the end of the placement, whilst others like rise and fall indicate what is happening beyond placement up to passing. So how you define the end of the step depends on what aspect of technique you are considering.
Re: Drag Hesitation
Posted by anymouse
8/20/2008  8:10:00 PM
"The lady does not swing on step from 1 to 2 on a Reverse Turn. The man does. No two people Swing at the same time"

ABSOLUTELY INCORRECT,

The swing is determined by the needs of the partner who has to go further, but it is executed by both dancers.
Re: Drag Hesitation
Posted by anymouse
8/20/2008  8:23:00 PM
"well good question - i've heard it said on here - at least with regards reverse turns - that turn occurs after or just as placement of step two occurs. BUT if CBM is generated (ie torque is applied) on 1 and the L heel is released before the end of 1 how can turn NOT occur before the RF reaches its destination on 2 ?"

You make an extremely important and often misunderstood point about the proper timing of the heel release in a HT action - it is indeed before the feet pass, in contrast to the heel-only steps when it occurs later.

But your conclusion about turn is mistaken. CBM does not immediately alter the direction of movement nor (in the forwards case) the foot alignment. When CBM is used on the forwards half of an ordinary turn, something very close to the original foot alignment is maintained as step two is placed, and then the feet turn only as your weight starts arriving on the second step.

"I've heard it said that swing through such a side step only occurs in a forwards direction relative to the line of the hips. But that can only be true if the turn IS delayed until after placement of step 2."

Actually, the swing is forwards relative to the line of the feet, which don't turn much until after the placement of step 2. The hips on the other hand have turned a fair amount even during step 1. The usual reference for direction in the ballroom technique is the alignment of the standing foot, not that of the body.

Re: Drag Hesitation
Posted by interested
8/20/2008  9:41:00 PM
Actually, the swing is forwards relative to the line of the feet, which don't turn much until after the placement of step 2. The hips on the other hand have turned a fair amount even during step 1. The usual reference for direction in the ballroom te


OK. i do mean the feet.i guess in saying the hips i was making the simplifying assumption that they were aligned with the feet.

But your conclusion about turn is mistaken. CBM does not immediately alter the direction of movement nor (in the forwards case) the foot alignment. When CBM is used on the forwards half of an ordinary turn, something very close to the original foot a


I agree that there must be a delay in getting the turn through to the feet on 1 as it takes time to develop that CBM. But how can you stop the supporting foot rotating under the forces generated through the use of CBM (ie if you twist your waist anticlockwise, isnt there a tendency for the lower half ie the legs and feet to follow through in order to relieve the strain - after all isnt that why you apply CBM, because of the knock on effect it has on the feet - a bit like a wind-up toy. And if you place step 2 before you make any turn doesn't it have too heavy a look, a bit like a fwd. walk tng in rumba. Dont get me wrong, I'm not saying turn during the placement of 1 as that would clearly screw up the alignment and wouldn't be clean. But I dont seem to be aware of keeping tension in my waist for that long.

Perhaps I am overestimating the role of CBM in driving turns. So the key question is where does the torque come from - perhaps it is more to do with the ground force as step 2 is placed. But then again by the time full weight is transferred the centre of rotation will have shifted over to where step 2 is placed, such that the ground force will no longer be centripetal.

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