Handy,
You missed my point.
OF COURSE it is possible to destroy the topline with a bad handhold.
Very easily I might Add.
But then, there are other factors that go into a good topline. (Now, if we were talking about toplines, then I would include the height of the thumbs in relation to the lady's eye, the angles of the forearms, the direction in which it intersects with the torso--and so on...but I digress...)
For this topic, I was addressing Annie's immediate question of the handhold--and how the focus should be, INSTEAD, in the lines of the forearm through the wrist.
I was suggesting that focusing on the handhold ALONE doesn't do any good--because it doesn't ground the form (the shaping of the hands) in any mechanical function.
IMO it is bad practice because it is pure FORM for FORM's sake.
El Zorro