Geoffrey Hearn (A Technique of Advanced Standard Ballroom Figures) is interesting on floorcraft " ... the ability to maintain the beauty of musicality, movement and shape throughout their performance. ... a combination of being able to change the routine of figures to suit the size of room and also to avoid the other couples on the floor. Unfortunately as our dancing has become more powerful, and indeed with some couples, ill mannered and aggresive, Floorcraft has deteriorated."
He concludes that "it is part of the dance teacher's responsibility to train couples to understand Floorcraft and the requirements expected of them when dancing in a crowded room."
Now, social dancers can be every bit as neglectful of good floorcraft as anyone else, (and as often through ignorance rather than rudeness) but it just isn't appropriate for a competitive couple to dance as though they were at a practise session on a busy floor. It doesn't stop some of them doing it though, and I suspect that it is frequently the product of their (lack of) training.
Chalk and cheese - and probably better kept apart. But the highest potential in dancing is to be found in the social sphere, IMHO, because it is only there that the full range of dance skills can be brought to bear on the dance.