Serendipidy, it would be nice to put this one to bed, but you keep opening a new can of worms just when I think we have some agreement.
1) There is no correction to be made. Nobody mentioned step 6. The CBM is used on step 1 of the feather finish (step 4 of the reverse turn with feather finish). The amount of residual body turn Anonymouse hints at is very small, but maybe enough to make the difference between 1st and 2nd place in a comp, depending on the adjudicators preferences. There was no suggestion of underturnng the reverse.
2) "Another mistake is when you said The foot alignment is given in the book as backing diagonal to the wall. Does it say that ??."
Alex Moore may not say that explicitly, but he also admits to using the term alignment to mean several things. Remember that Alex Moore's book is not used by any society for its syllabus or exam reference. As I mentioned before, all the official technique books do give the alignment as backing DW.
3) Do Jonathan or Marcus pause when backing DW? No of course not when they are dancing, just as they do not pause anywhere else. However, when they took their exams then they will have paused at that point, before describing and demonstrating the next step, continually describing then show each step.
4)"In the Foxtrot the weight is passed over immediately to the RF."
Which book did you find that in!?
5)"Quote. Step three is continue to turn on RF and step LF back." and later "So step two is not finished until the left foot is drawn up to the RF."
So, if step 2 is ended backing LOD, and step 3 continues to turn on the RF, which way does the LF step back? and how do we get step 4 back down LOD? The chances are we will see the very common fault of the RF going back DC.
To return to your earlier post, I would agree with the principle of what I think you are trying to say, but not with the phrase you use. As the reverse turn is danced the man moves from facing DC (even with body facing LOD if allowing for CBMP on a preceding feather) to backing LOD in one continuous movement but not "in one go". That expression implies an almost instantaneous turn, which is not what the books say and it is not what top dancers do because it is not in keeping with the smooth flow of foxtrot. The choice of expression is very important and that is why the panel of editors that compile the dance technique manuals take so long to update them, and still they make mistakes.