Log In

Username:

Password:

   Stay logged in?

Forgot Password?

User Status

 

Attention

 

Recover Password

Username or Email:

Loading...
Change Image
Enter the code in the photo at left:

Before We Continue...

Are you absolutely sure you want
to delete this message?

Premium Membership

Upgrade to
Premium Membership!

Renew Your
Premium Membership

$99
PER YEAR
$79
PER YEAR
$79
PER YEAR

Premium Membership includes the following benefits:

Don't let your Premium Membership expire, or you'll miss out on:

  • Exclusive access to over 1,620 video demonstrations of patterns in the full bronze, silver and gold levels.
  • Access to all previous variations of the week, including full video instruction of man's and lady's parts.
  • Over twice as many videos as basic membership.
  • A completely ad-free experience!

 

Sponsored Ad

+ View Older Messages

Re: Pivots and telemarks
Posted by Serendipidy
5/16/2008  4:02:00 PM
If a step is written in the Technique Books as a Heel Ball or Ball Heel it doesn't necassarily mean there is rise. Go to a Natural Spin Turn in which there is a Pivot. Then go to the rise and fall and read. Down at the end of three, and rise at the end of five, up on six. Lower at the end of six. Which leaves us with a pivot that is clearly stated as being down.
Re: Pivots and telemarks
Posted by anymouse
5/16/2008  8:58:00 AM
You should back up and learn to lead the difference between a foxtrot type reverse heel turn, and an open reverse turn (ie, not a heel turn). As in you should be able to get your partner to do one or the other without telling her which, as a result of differences in the movement of your body. That will give you the prerequisite skills to actually lead a telemark.

Then you should probably do some slip pivots (leader backwards).

Finally, you might be in the position to look at doing a leader-forwards reverse pivot without confusing it with a telemark. You might try doing it in tango first.

In practice, a lot of reverse pivots are going to be a conclusion to something else rather than a beginning of their own, and as such they'll coast with the momentum of the precede. They'll often also involve a degree of lowering from the ending of the previous figure (example slip pivot, quick open reverse and pivot, double reverse overspin, tumble turn, tipple turn, etc...). Outside of tango, one of these revere pivot endings to the previous is also going to be one of your more obvious ways to set up a couple more reverse pivots in the new measure - you'll just keep going with pivots. If instead you wanted to switch to a telemark, you'd have to catch the pivot type spin and instead drive into a heel turn.
Copyright  ©  1997-2026 BallroomDancers.com