2. You don't have to enter all 9 dances. If you want to do fewer, the competition will certainly be happy to let you register for the specific dances you want to do. Your instructor should be willing to be flexible about it, as well.
I agree. Unless your goal is to dance the actual 9 or 10 dance comps, then shoot for something a little less ambitious. Especially for a first time out. I know I'm looking towards August (Nevada Star Ball) for my first comp, but I've attended a few and done some research, and I know that I will most likely stick with some of the single dances, probably waltz, foxtrot, tango, rumba and cha cha. I can't mambo to save my life and I look like a five-year-old on a pogo stick when doing the samba. No sense putting that lack of ability on display in front of a crowd.
First-time competitors often have severe sticker-shock, so I'd find out before you devote so much time, energy, and hope into preparing for the comp.
This seems to be one thing the studios and teachers are reluctant to tell a student up front, until they have him/her committed to competing. Guess who pays for the teacher's entry fees into the comps? It isn't the teachers and it isn't the studios. That only leaves one place for the entry fees to come from. Sometimes I think the studios and teachers are their own worst enemies. The studio I go to invited students to the Holiday Dance Classic in December and said they would get a table and the tickets for anyone that wanted to go as a group. Then they proceeded to sell $25 tickets for $60 to the students. I went and bought a weekend pass for $110 and attended all but one session. Of course, they just had a Night Out last week and charged $40 to the students to go, but the cover charge at the door of the nightclub was $10. So, I'm wondering what the other $30 bought. Okay, enough of this rant. I should probably have posted this in a different discussion.