Log In

Username:

Password:

   Stay logged in?

Forgot Password?

User Status

 

Attention

 

Recover Password

Username or Email:

Loading...
Change Image
Enter the code in the photo at left:

Before We Continue...

Are you absolutely sure you want
to delete this message?

Premium Membership

Upgrade to
Premium Membership!

Renew Your
Premium Membership

$99
PER YEAR
$79
PER YEAR
$79
PER YEAR

Premium Membership includes the following benefits:

Don't let your Premium Membership expire, or you'll miss out on:

  • Exclusive access to over 1,620 video demonstrations of patterns in the full bronze, silver and gold levels.
  • Access to all previous variations of the week, including full video instruction of man's and lady's parts.
  • Over twice as many videos as basic membership.
  • A completely ad-free experience!

 

Sponsored Ad
New Discussion
Posted by Serendipidy
1/8/2008  4:21:00 PM
I don't think this has been spoken about before. The third Step in an Open Telemark or an Open Imputus is a step to the side, a side step.
The question will be asked. How do we get the next step which is in Promenade. Go to John Wood for this one. If we both take the same step at the exact same time what will the result be . In theory we will never get there. He then goes on to say that the man will use his sturdy left arm to make sure he gets where he wants to be. But that is not how it should be done.
Re: New Discussion
Posted by terence2
1/9/2008  12:22:00 AM
ALL prom. movements have the same or similar characteristic-- the " battle " for space.

The mans right side( hip ) should be slightly in front of the ladies left .The distribution of weight between L and R foot for man will determine the exit strategy and should prevent the lady from dominating the position.
Also , I would describe the 3rd step, as side and slightly forward .I believe what John is saying, is to " brace " the left arm .
its also good to remember- much of teaching at advanced levels, is theory .

lastly-- the dynamic in open tele. in waltz and f/t has a substantially different cause and effect .
Re: New Discussion
Posted by phil.samways
1/9/2008  2:46:00 AM
Hi Terence
Would you please expand on what you said about man's distribution of weight affecting the exit strategy and preventing the lady dominating?
I'm not happy with my open telemark in slow waltz
Re: New Discussion
Posted by terence2
1/9/2008  5:37:00 AM
The inherent danger in Prom position in W and F/trot ( moreso in waltz ) is the poise that needs to be established between the feet .

When judging, I frequently see the "early collapse" of the fwd foot, caused by the fwd poise and balance not controlled between the feet . .

The suspension required in Waltz, is often affected by weakness in the foot/ankles-- the F/t trot has a similar problem-- but-- this having a more free flowing fwd dynamic, presents a new set of problems --

not " collecting the weight as the step continues thru to its next destination , can very often be a major contributor to this action of early lowering-- particularly in W.

As an exercise-- try keeping your weight divided between the feet ( with suspension ) on 2 AND 3 -- learn to lower and " swing thru from that position ( the lady obviously has to contribute in a same manner ) the figure that follows can also determine the exit speed .

Your particular problem might have other factors, that should be taken into account .

analysis in this format ,is like describing an elephant to a blind person .
Re: New Discussion
Posted by phil.samways
1/9/2008  8:18:00 AM
Hi Terence
Thanks. i appreciate the elephant analogy, but it's amazing how the odd word, spoken at just the right time, can have a huge benefit.
Re: New Discussion
Posted by Serendipidy
1/9/2008  12:44:00 PM
Lets go through a simple routine. Open Imputus Turn. First three steps of the Natural, A step to the side on 2 and 3. The third step of the Open Imputus is a step to the side. The third step of the Reverse Weave is a step to the side. The next third step of the Weave is also a step to the side. Finish with a Chasse in Pomenade.There is a definite pattern there isn't there.How many of you are taking thoes side steps to the back or front. One way to find out if this gives a better action of the legs and feet is to do it. All of the above I have been told. If there is any struggling for space in a Promenade then something is wrong. Either one of you or both are doing something wrong. It will be the steps and the direction of those steps.
Re: New Discussion
Posted by Serendipidy
1/10/2008  2:55:00 PM
paul and dot. A very common fault for the lady is once she sees where she wishes to go she stops turning. This is a mistake. They will be under turning the movement. A sure indication that this mistake has been done is if the lady is looking through the middle of the partnership instead of the outside.
It doesn't have to be done this way, but it does prove a point. As the lady does the first step of the Open Telemark she will be looking to her left. If she can spot something on the wall and keep looking at it and let the shoulders and body rotate whilst keeping the head absolutely still she won't be far wrong. Good Luck
Re: New Discussion
Posted by Anna
1/12/2008  9:19:00 AM
Your statement "The distribution of weight between L and R foot for man will determine the exit strategy and should prevent the lady from dominating the position". As a lady I do not have much difficulty with PP after Open Telemark because I have just completed a Heel turn and waiting for Gent to step on 3. But I do have problem with Open Impetus and also Hover Telemark ended PP. After taking 1st step into 2nd I am not sure how long I need to keep my weight on 2nd step. I sometimes feel Gent does not allow enough time for my weight to be on step 2. Your exercise "try keeping your weight divided between the feet ( with suspension) on 2 AND 3. Does this mean weight is divided equally on both feet?

Re: New Discussion
Posted by Serendipidy
1/12/2008  3:43:00 PM
Anne. If you are to do both the Open Telemark and the Open Imputus correctly there is Sway on that third step, often neglected. If you want to see how much sway is used I would say a good role model would be Marcus Hilton.
Don't forget there is Sway to the left ( ladies right ) on two three in the Whisk which is also often neglected
Re: New Discussion
Posted by terence2
1/13/2008  1:06:00 AM
On the contrary-- Scrivener ( and I ), would disagree with your "sway " analogy .
There are inherent dangers present when advising anyone, in the written word- about the use of sway .

And using a world class Pro. as an e.g.
is akin to throwing a toddler in the swimming pool and say " go swim " !

+ View More Messages

Copyright  ©  1997-2026 BallroomDancers.com